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References:
Sample & Reference Breakdown:
Beastie Boys:
"We felt it was important to comment on where the US appears to be heading now. A war in Iraq will not resolve our problems. It can only result in the deaths of many innocent civilians and US troops. If we are truly striving for safety, we need to build friendships, not try to bully the rest of the world." - Adam Yauch, March 2003
"I think a big part of wanting to do the song was just hearing Bush make these speeches, seeing how the rest of the world was reacting to it, and feeling like Bush doesn't represent us. One of the purposes is to let people in other parts of the world know that the messages he's sending out aren't necessarily the view of all Americans. And it's also to say to people in the United States who might be uncomfortable protesting that it's all right to do that. One thing that the U.S. administration has been trying to do is give the feeling that it's un-American to protest." - Adam Yauch, 2003
"Being together, writing and recording, we felt it would be irresponsible not to address whats going on in the world while the events are still current. It didnt make sense to us to wait until the entire record was finished to release this song." - Mike Diamond, March 2003
"This song is not an anti-American or pro-Saddam Hussein statement. This is a statement against an unjustified war." - Adam Horovitz, March 2003
Press & Print Media:
"The song takes a few swipes at President George W. Bush, saying the American leader is launching a "mid-life crisis war" and is "looking like Zoolander, trying to play tough for the camera." - CBC News, March 2003
"On "In a World Gone Mad," they're in adorable elder-statesman mode, trying so hard not to step on anybody's toes that they end up achieving little beyond a kaffeeklatch complaint voiced in reasonable tones over an affable beat. The first problem is the chorus, growled by Adam Yauch in the middle of a reverb hangover that muffles the sound. You want to be shouting along, but instead you wind up just struggling to make out the words. The Beastie Boys have always been funny, or at least clever, but the rest of the lyrics don't rise above the level of a decent Conan O'Brien monologue. It's cute that Adrock quotes Q-Tip ("Citizen rule number 2080/Politicians are shady") but his wacky apology to the nation just makes him sound like an opinionless bystander. At the very end of the song we get a spark of what might have been. The disappointment is amplified by what we know the Beasties are capable of. The right pop song could use metaphor or delivery or sheer sonics, among a zillion other strategies, to make its point. It might even piss some people off. But this song sure as hell won't." - MSN Slate, March 2003
"This ain't your mama's Pete Seeger or Bob Dylan. It's a
far cry from "Blowin' in the Wind", but for what's it's
worth, it may signal a new era for protest songs, and this is
a good thing. Of course, nobody seems to notice that Sleater-Kinney's
"Combat Rock", off last year's One Beat, was decidedly
anti-authority, but let's not split hairs in protest. Even though
many celebrities have spoken out on the impending war in Iraq,
much of the mainstream music scene has been silent thus far. The
Beastie Boys have decided that the time is now to weigh in with
a protest rap in response to the imminent death and destruction.
"In a World Gone Mad", is available for free download
on the Boys' website. An unnamed source has also come forward
claiming that a Clear Channel station has added this seditious
track to heavy rotation. Whoa! What bleeding heart program director
gave the thumbs up to that one?"
"While the song is neither profound nor esoteric, we admire
the socially conscious hip-hoppers for their effort, and they
do manage to provide a few salty jabs at the former alliance between
the U.S. and Iraq in the process: "You and Saddam should
kick it like back in the day/With the cocaine and Courvoisier/But
you build more bombs as you get more bold/As your mid-life crisis
war unfolds." Okay, so some of the lyrics a tad cheesy. But
cheese and salt, hey maybe they're onto something: "Now don't
get us wrong/'Cause we love America/But that's no reason to get
hysterica!" Hmm. Okay. So it's not as eloquent as "The
Message"-- or even, really, Whodini's "The Freaks Come
Out at Night". But it's a start! People, we gotta start somewhere."
- Marnie Christenson, pitchforkmedia.com 2003
"[An] up-tempo song, which features a simple rhythm and rudimentary samples, has the old-school feel of a Run DMC track. The buoyancy of the beats contrasts with the lyrics, which criticize the Bush's administration's eagerness to attack Iraq." - MTV News, March 2003
"The Beasties may have been driven to create "In a World Gone Mad" because they felt like Bush was turning a deaf ear to the screaming voices of anti-war protesters, but they said they were also motivated after hearing rumors that artists were discouraged from mentioning the Middle East conflict during the Grammy Awards. After so much disinformation, the Boys decided some old-school learning was in order." - MTV News, March 2003
"Though the song has a similar title to the Beenie Man reggae song "World Gone Mad," which laments social conditions and asks the president for an explanation, the Beastie Boys said they were unaware of the other song. Their song mixes lyrics advocating nonviolence and multilateral disarmament with the band's sense of whimsy. Thus a deep thought is followed immediately by a rhyme like "They're layin' on the syrup thick/We ain't waffles, we ain't havin' it." - New York Times, March 2003
"[An] anti-war tirade: over a herky-jerky beat, the song attacks President Bush, but it also flashes trademark Beasties humor" - Rolling Stone, 2003
"Protesting the war in Iraq with a demented seriousness only they could pull off. Best line, Adam Yauch: "George Bush, you're looking like Zoolander, trying to play tough for the camera" - Rolling Stone's Hotlist, 2003
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