More of a clique than a band, the
Bag Ladies were friends of the Beastie Boys and a memorable
part of the early New York Hardcore (NYHC) punk scene from
1980-1981. Known for their shabby clothes, the Bag Ladies
were a group of young ladies ages 14-16 who went out to
see shows at places like A7 and hung out with friends like
Michael Diamond and John
Berry at the Ratcage. The Ratcage store at that time
was located in the basement of the 171-A studio, and was
run by Dave Parsons and Cathy
Fitzsimmons. In April of 2004, Dave Parsons said the
following regarding his recollection of the Bag Ladies and
the early NYHC scene. "Kate
Schellenbach was one of the ring leaders and all the
other little girls followed her lead. Everyone hung out
after school at Nick Marden and AC's house. Kate would be
at every show, literally every show all over downtown."
With both Kate Schellenbach and Jill
Cunniff being part of this clique, the Bag Ladies were,
in a roundabout way, a precursor to what would much later
become Luscious Jackson.
However, since Luscious Jackson did not take shape until
the early 1990s, both Kate and Jill would find themselves
as members of several other bands first. Jill and some of
the other Bag Ladies morphed into another group who called
themselves "The Moppy Scuds." Kate, on the other
hand, would join Michael Diamond, Jeremy
Shatan, and John Berry to form the
Young Aborigines. In a January 2003 conversation with
Beastiemania.com Jeremy Shatan remembered the following,
"Mike and John befriended a group of girls they dubbed
the "Bag Ladies" because they dressed almost in
rags like the homeless women around NYC who carried all
their possessions around in shopping bags. Kate Schellenbach
was one of them, as was Jill Cunniff, later of Luscious
Jackson. Kate wanted to play drums, so we asked her to be
the percussionist in the Young Aborigines. She played standing
up, like Maureen Tucker in the Velvet Underground, and used
a combination of Mike's old drums, a conga drum, and other
stuff that was lying around." Jill Cunniff auditioned
to be the vocalist for the Young Aborigines. However, largely
due to a lack of interest by all parties involved she never
actually joined the band. Shatan says now: "I guess
that, for whatever reason, the Young Abs were just destined
to be an instrumental band." Jill, and other Bag Ladies,
did contribute vocals to some of the home recordings that
the Young Aborigines made in the spring of 1981.
The early 1980s were a time when
these young New Yorkers were enjoying a variety of different
musical genres and gaining inspiration from all that was
going on around them. Jeremy Shatan recalls that after Young
Aborigines rehearsals, "we used to dance like mad to
Michael Jackson's Off the Wall and Uprising
by Bob Marley & the Wailers." The Bag Ladies did
their part to be active in and promote the local music scene.
This included creating, publishing and distributing punk
zines, stickers, and buttons at shows, stores and parties.
Jeremy Shatan recollects that, during early rehearsals by
the Young Aborigines and the Beastie Boys, the Bag Ladies
would come over to John Berry's loft and make buttons while
they listened. These buttons, also sometimes referred to
as badges or pins, were created to promote new bands that
the girls were interested in. To fabricate these DIY (do
it yourself) items, they would use other band's buttons
and then hand paint over the top to create a new unique
piece.
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