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Adam Trese

Outside of the realms of Beastiemania.com, Adam Trese is best known for his work as an actor. His acting credits include everything from independent films like Laws of Gravity (1992) to the very popular 40 Days and 40 Nights (2002). Former band mate Adam Horovitz may have acted in an episode of The Equalizer, but Trese has him beat hands down with appearances in the television shows such as Murder, She Wrote, Law & Order, New York Undercover, and NYPD Blue. However to legions of fans who prefer Real Men Don’t Floss to Polly Wog Stew, Adam Trese is identified first and foremost as having been the drummer for The Young and the Useless.

When corned by Beastiemania.com, Trese told us the following about growing up in New York and about being apart of the Young and the Useless. “That was a very poignant time for me, to say the least. I think it is because I really was so young and impressionable. I was the youngest member and I believe I was thirteen at the time of the Real Men Don’t Floss recording sessions. The scene was very small back then and a lot of fun. Back then Hillary was a short order cook not far from the Rat Cage. He would give me all the French fries I could eat, when I would hang out with him late at night.”

Adam Trese wrote many of the Young and the Useless songs that later ended up on Real Men Don’t Floss EP. For example Trese’s compositions include “Home Boy,” “Young & Useless,” and the melody to P.M.H with his original lyrics later having been changed.

"We recorded (the Real Men Don’t Floss EP) at Hi-Five Studios on Park Avenue South. Afterwards, I remember all of us getting take out. We ordered a whole bunch of burgers and shakes from a diner very late at night. I think it is still there and called Aristotle's. Jerry “Bloodclot” Williams mixed the album. I recall when he drove us to Boston and back for a show where they tried to pay us with pizza, but it’s hazy. We made a second album a year later when Adam Yauch was at Bard College, but it was never released. I had learned to play the drums by that time so it was a much better record. I think I heard Yauch may have the tapes or perhaps they're lost.”

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