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Finger Lickin' Good
First Appearance: Check Your Head LP, 21 April 1992
Written by: Beastie Boys/Mario Caldato/Wendell Fite/Hill
Performed by: Adam Yauch (bass), Michael Diamond (drums), Adam Horovitz (guitar), Mark Nishita (D6, Clav, Organ, Wurlitzer), Drew Lawrence (tamboura, mridunga)
Production Notes: Engineered by Mario Caldato, produced by Beastie Boys and Mario Caldato. Recorded and mixed at G-Son Studios, Atwater Village, CA. Sequenced at PCP Labs.
Behind the Beats and Lyrics...

Samples

  • "Just Like Tom Thumb's Blues" by Bob Dylan from the album Highway 61 Revisited (1965)
  • "Breakout" by Johnny "Hammond" Smith from the album Breakout (1971)
  • "Three for the Festival" by Rashaan Roland Kirk from the album We Free Kings (1961)
  • "Dance to the Music" by Sly & the Family Stone from the single "Dance to the Music/Sing a Simple Song" (1979)

References

  • Finger lickin' good - advertising slogan for Kentucky Fried Chicken, a fast food franchise
  • Money Mark - Mark Nishita, Beastie Boys keyboardist
  • Paul Bunyon - legendary hero of lumber camps of the American Northwest
  • Ernie Anastos (1943- ) - New York City news anchor
  • Frugal Gourmet - TV chef personality
  • Pete the Puma - Warner Bros. cartoon character, nemesis of Bugs Bunny
  • Minnie the Moocher - a 1931 song by Cab Calloway
  • The Freak - a dance
  • The Patty Duke - a dance
  • The Spank - a dance

Sample & Reference Breakdown

  • "Just give him some wood and he'll build you a cabinet" - a reference to keyboardist Mark Nishita's carpentry skills
  • "They'll even print my recipe for pasta with pesto" - refers to Grand Royal's publishing of Adam Yauch's pasta with pesto recipe in the debut issue of the magazine
  • "Goin back to New York City, I do believe I've had enough" - a sample from "Just Like Tom Thumbs Blues" by Bob Dylan
Commentary

Beastie Boys

(Regarding how much the Bob Dylan sample cost) "Seven hundred bucks, but he asked for two thousand dollars. I thought it was kind of fly that he asked for $2000.00, and I bartered Bob Dylan down. That's my proudest sampling deal." - Michael Diamond, Boston Rock, June 1992

Press

"...mixes live instruments with electronically sampled sounds and fluid tempos" - Newsweek, 1992

"[An] old-school-flavored track [that] underscores the group's rhyming skills" - Rolling Stone, 1992